The Ibiza DJ picks Dip In The Pool, CFCF and Dorisburg in this chilled-out mix for Fader.
Out on July 1 via the label he created, International Feel, Sketches From an Island 2 is just as sublime as the original. Order it here — it’s essential listening for anyone looking to clear some headspace, and so is this live mix he did to celebrate. Fader Interview Mark Barrott.
The Salon Des Amateurs associate steps up for The Ransom Note.
This month saw the release of a collaborative project on International Feel. ‘The Sound Of Glades’ is a joint effort of Jan Schulte and Niklas Rehme-Schlüter: a collection of ambient soundscapes, subtle pads, field recordings and soft drums. Jan Schulte aka Wolf Müller has amassed a reputation as a crafty producer without borders. From worldy percussion, eccentric wobbles and soothing melodies he has honed his sound, undpredictable by nature, each record is often different from the last. We caught up with him following the album release for an assorted mix of music which inspired the record – “music to do the sound of glades to” , as he puts it. Read the Interview here
The Sound Of Glades is out now on International Feel
Apiento, a.k.a Paul Byrne runs the invaluable Balearic Test Pressing blog, co-runs and A&Rs the International Feel record label, produces for US label Golf Channel and has had releases on Leng, Claremont 56 and Andy Blake’s World Unknown. His show has that wonky poolside disco thing going on as well as some more mellow things and some older finds.
Tracklist include Cfcf, Black Spuma, Juan Marco and more
International Feel will release Cfcf’s On Vacation remixes in July 2016, and Black Spuma in August 2016.
Watched on by about a dozen of the Hoods – some in tears of joy – alongside Ben Klock and Ricardo Villalobos, thee exalted Robert & his daughter Lyric were on rarified form. A truly special moment in BR history, and one of Dekmantel’s highest of highlights.
The second album from the Detroit producer’s more flamboyant, gospel-tinged house alias Victorious, co-produced by Lyric Hood, out June 17 on Hood’s M-Plant label.
Stream an new mix by producer, DJ and founder of Rejected and Green record label.
Joris Voorn has mastered the art of emotionally intelligent house music. In late 2014, his talents culminated in his stunning third album, Nobody Knows, which Billboard subsequently named the best dance/electronic album of the year.
While the LP showcased the Dutch producer’s penchant for stripped down songwriting and beat-less bliss, he’s since returned to his club roots, as evidenced by his new two-track EP, This Story Until Now. Listen the exclusive online premiere of Joris Voorn’s new EP.
Green will release This Story Until Now EP on July 1st, 2016.
Psychedelic sounds from one of techno’s finest innovators.
Luca Mortellaro has done more than most to broaden the idea of what techno can mean. Go back to 2009, and the first release on his label, Stroboscopic Artefacts. The Alpha Sampler was a mini compilation that featured three tracks with subtly spectacular sound design and an electrified beatless closer from Xhin, a Singaporean artist who became known for innovative techno transmissions. Bring things forward to the present day, and Stroboscopic Artefacts’ latest release is Self Mythology, Mortellaro’s third album, which features improvised vocals, flute and percussion from Jon Jacobs across nine deeply psychedelic tracks. Stroboscopic Artefacts describes itself as seeking “an incessant accretion of new ideas and new formal elements that must transcend any self-limiting expectations of genres.” In Self Mythology and its countless other exceptionally strong releases down the years, the label has clearly achieved its aim.
Indeed, as Mortellaro was setting up for this live session in our Berlin office he told us that the show is “mainly about expanding some territories that are part of the techno aesthetic.” Through his own releases Mortellaro has consistently found new ways to explore this idea, and he currently seems most excited by the possibilities of unifying electronic and acoustic instruments. He set up in front of a modular system, a mixer, a sequencer and some effects, while Jacobs performed vocal phrases, flute and percussion. The result felt like a singular collision of the past and the future.