Hear Mark Barrott’s Balearic Ambient on Schopenhauer’s Garden

Mark Barrott’s commitment to the Balearic ideal is absolute. Since 2012, the Sheffield born musician has lived in Ibiza, where he runs his International Feel label, makes music in his living room, and DJs ambient sets at Hostal La Torre, a secluded inn perched atop rocky cliffs with an enviable view of the sunset. The venue is a metaphorical world away from the White Isle’s teeming superclubs and so is Barrott’s own music, which draws inspiration from a drowsily eclectic style made famous in the ‘80s by DJs like Jose Padilla and Alfredo Fiorito. His wafting synthesizer pads and gently plucked guitar conjure a simpler era, when Manuel Göttsching and Talk Talk were staples on the island’s turntables.

“Schopenhauer’s Garden” is clearly of a piece with Barrott’s discography, but something has subtly changed; the focus is sharper, the calm more pervasive. Atop a soft bed of pulsing synthesizers, a clean-toned electric guitar traces lazy circles in the air, recalling traces of Michael Rother, Tangerine Dream, and other kosmische artists that helped define the Balearic sound. Then, in the song’s second half, something unexpected appears: a keening soprano saxophone, which, even more surprisingly, actually sounds wonderful as it swoops and climbs in contrapuntal motion. A tinny pitter-pat burbles away in the background, and the sense of stillness is total. We may not all be lucky enough to live on an island; “Schopenhauer’s Garden,” at least, gives us license to visit whenever we wish.

Mark Barrott is putting out a new EP called Music For Presence on March 3rd.

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Listen to Lucy’s rework of Luke Slater’s Surface Noise

Luke Slater a.k.a. Planetary Assault Systems will soon release The Light Years Reworks, a remix album featuring reworks of P.A.S material from Slater’s closest friends and collaborators, such as Function, Marcel Fengler, Lucy, Psyk, KSP, Octave One, Steve Bicknell, and SLAM.

Having already unleashed a considerable amount of collaborative magic with the Planetary Funk: 22 Light Years series of remix EPs, Luke Slater now steps forward with six full sides’ worth of material, all of them injecting the spirit of classic P.A.S. into new sonic organisms.

Using motifs from past P.A.S. successes, Luke Slater and his cohorts join here to make something “radical and revitalizing,” according to the label, who describe the album as “too cohesive for a “compilation album and with too much autonomy granted to the guest remixers to be a simple “tribute.”

Ahead of the album’s March 10 release, Lucy’s rework of “Surface Noise” is exclusively streamable below.

Mote Evolver will release Planetary Assault Systems – The Light Years Reworks on March 10 via 3×12.

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Watch the video for Black Flower’s trippy jazz cut ‘Bones’

Belgium’s Ethio-jazz reinventors return with the first single from new album ‘Artifacts’

Following up their 2013 debut, Abyssinia Afterlife, Belgium’s prime purveyors of tripped out Ethio-jazz return with a typically lush video for ‘Bones’, the first single from their new album.

Directed by Evelien Hoedekie, the short translates bandleader Nathan Daems‘ flute lines into green tendrils, which flutter and flurry like birds leaving a nest. The album is inspired by Draems’ jaunts round the world, taking in Fela Kuti afrobeat, Jamaican dub pressures and melodic lines from the far east. Music for the jazz club and the after hours club.

Black Flower’s new album, ‘Artifacts’, is released on 3 February on Sdban Ultra.

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Radio Martiko: The Belgian DJs and label founders behind the re-issue of a Moroccan masterpiece

It’s rare to find an album that is a true outlier in its field, but Abdou El Omari’s seven-track debut, released forty years ago on the Moroccan label Disques Gam, can be considered as such. A rare and intriguing record, seen fleetingly on Discogs with it’s vivid pink sleeve, atypical for an album of it’s age and origin; it immediately evokes excitement in the mind of any collector, especially given it’s price tag (well in excess of €1,000 for an original pressing).

Musically, it is like nothing that was being made in Casablanca at the time. Though present are the byzantine scales of traditional Moroccan and Andalusian music, the funk-influenced grooves, gravelly bass, delay-drenched percussion and pyschedelic lead organ, separate the music entirely from traditions of the region. One can only wonder what music Abdou El Omari was hearing at the time and how it influenced his craft. Little information is currently available about the late visionary musician, escalating the lure of his recordings.

Lifelong fans of Tropical and Oriental music, Belgian DJ collective and record label Radio Martiko have made their name playing the widest range of vintage dance music imaginable, taking their unique sound beyond the clubs of Ghent, to places far flung as the communities that created the music they love. Now the trio have answered the prayers of collectors worldwide, not only restoring and re-issuing Abdou El Omari’s debut album, but gaining access to two additional projects, hitherto unknown among Abdou El Omari fans.

With the album now available, we had the pleasure of talking to the Martiko’s about the origins of their work, their discovery of the Disques Gam catalogue and the fascinating process behind restoring and re-issuing vintage recordings. You can check the interview here and stream the album below

 

Abdou El Omari Nuits-trilogy LP#1 is out now, with LP#2 and LP#3 on February 13th, 2017 and April 14th, 2017, respectively

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Brazilian jazz-funk wizards back on the workhorse

Azymuth are back! With Fênix, their first album in five years, the Brazilian mavericks have recreated the energy of those spellbinding seventies’ sessions which would launch them into international recognition and confirm their status as one of Brazil’s most successful bands. It’s a ten-track journey through the full spectrum of Azymuth’s brilliantly coloured expressionist fusion, with all the cosmic energy and masterful musicianship you’d expect from the world’s greatest three-man orchestra… Azymuth rise from the ashes!

Check out previews below and pick up the record from December 2 in LP format. In the meantime, lock into Azymuth’s NTS radio show from March 2015 (playing some incredible never before heard demos recorded in the early 70′)

Far Out Recordings will release Fênix on 2nd December, 2016

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