Tony Thorpe presents Postpunk Theory – Alpha α

Postpunk Theory is a meticulously curated compilation by the legendary Tony Thorpe, known for his work with The Moody Boys, 400 Blows, and The KLF. These classic tracks were played at parties by Thorpe at the time, making them his personal classics. The compilation features 16 rare and sought-after tracks from the post-punk era, including works by Mark Stewart and The Maffia, Basement 5, 23 Skidoo and more.

Defining post-punk is no easy task. While punk was defined by a raw, rebellious simplicity, post-punk (1978-1986) expanded into a diverse array of sounds and ideas. It maintained punk’s independent spirit but embraced experimentation, incorporating influences from various musical and cultural traditions, resulting in a movement far more eclectic and fragmented than its predecessor.

At its core, post-punk broke away from traditional rock structures, blending genres like industrial, goth, and punk-funk with emerging dance music cultures. This era’s spirit of innovation and defiance against musical norms continues to inspire, making post-punk a pivotal moment in music history that defies easy categorization.

Growing up in a vibrant musical environment in South London, Thorpe was deeply influenced by the eclectic sounds around him, from jazz-funk to Brit-Funk, and later, the post-punk records he discovered. As Thorpe recalls, “Post-punk was a mishmash of different cultures and ideas. Out of post-punk came dance music culture. That period was the most creative time because the culture was in its experimental phase.” This compilation captures that innovative spirit, offering a glimpse into the era that shaped Thorpe’s musical journey.

The album comes as a limited 2xLP set, accompanied by an extensive 40-page fanzine. The fanzine, written by Matt Annis (Join The Future), dives deep into the post-punk movement, offering insight and context enriched with striking photographs by Simon Pyke and Ian Brodie.

Tracklist

A1. Basement 5 – Silicon Chip
A2. Disconnection – Bali Ha’i (US Discomix)
A3. A Certain Ratio – Shack Up
A4. 23 skidoo – Language
B1. PIL – Home Is Where The Heart Is
B2. Mark Stewart And The Maffia – Jerusalem
B3. The Unknown Cases – Masimbabele (The Original Version)
B4. Allez Allez – She’s Stirring Up (Dub)
C1. Animal Magic – Standard Man
C2. Lifetones – Distance No Object
C3. Snakefinger – I Gave Myself To You
C4. Startled Insects – Overrzoom
D1. Maximum Joy – Silent Street / Silent Dub
D2. African Head Charge – Throw It Away
D3. EP-4 – Tide Gauge
D4. 400 Blows – Declaration Of Intent

Musique Pour La Danse will release Tony Thorpe presents Postpunk Theory – Alpha α on October 25, 2024

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The Muscut and Shukai sounds of lost futures

At first glance, the sonic worlds of Ukrainian labels Muscut and Shukai sound very similar. While the aesthetics of both share the sound of the nostalgic allure of blurred, overdubbed tape loops, they diverge in their creative approach. Shukai delves into the archives, unearthing lost gems often banned and suppressed by the Soviets, while Muscut crafts new music that evokes the feeling of a lost vintage soundtrack to a picture promising visions of a brighter future.

The mood in which Muscut’s musical direction will be carried was revealed with the first release in 2012, the 7-inch compilation Test Pressing. The label’s catalogue is quite broad in terms of genre. From the surf-rock, funky and sometimes even dub aesthetic of Chillera, to the woobie jazz of Hennadii Boichenko and the dreamy drone-ambient of Bryozone, to work by the label founder Dmytro Nikolaienko, which mixes library music, muzak, easy listening 50s exotica and analogue sound. All released on vinyl or audiocassette, each visually treated in a DIY archival aesthetic: catalogue stickers, stamps, forms and poorly scanned lo-fi images.

​​Shukai began its journey in 2019 with the debut release of Ukrainian composer Victor Vlasov’s music for the anti-utopian sci-fi film Air Seller. This pilot album clearly outlined the future aesthetic and direction of the label, which in the following years often covered never-officially released music by Ukrainian composers. Volodymyr Bystriakov’s music for the surreal, almost psychedelic animated film Alice Through the Looking Glass, the tape archives of New Age experimentalist and violinist Valentina Goncharova, and the hidden treasure of Ukrainian avant-garde and neo-folk Cukor Bila Smert.

With hauntology as a leitmotif, Dmytro from Muscut and co-founder of Shukai unveils the relationship between art, politics, nostalgia and a future steeped in echoes of the past.

Read the interview with Nikolaienko here

Tracklist

A1. Muzak For Mesozoic Showreel (feat. Arthur Mine)
A2. Troglodytes (feat. Arthur Mine)
A3. The Ancient Musical Complex Of Mammoth Bones
A4. Glass Flowers
A5. Sacrifice I
B1. Misantropicalia
B2. Dark Archeo
B3. Sacrifice II (Curse of Snakes Valley)
B4. ExotiCon
B5. Yalta (feat. Amphibian Man II)

“At its best, the album sounds like the high points of ex-Skater Spencer Clark’s varied catalog (think Vodka Soap or Monopoly Child Star Searchers) and harmonizes with Christina Vantzou’s bizarre and brilliant “Multi Natural” full-length.” — Boomkat

“The natural and unnatural have rarely sat together in such perfectly unsettling harmony.” — Juno

“Nostalgia Por Mesozo´ica is an “exploration of experimental exotica.” ‘Troglodytes’, for example, reimagines the age of dinosaurs and their leaky cave-dwelling existence, through a distorted and nostalgic lens that evokes movie soundtracks from the ’60s and ’70s.” — if-only

“Great production and mix by St. Petersburg musician Eugenii Fadeev aka Flaty, author of a good album of electronica on the same label in 2018 (Wrong Water – Dozen LP)”. — Laurent Fairon

“Alchemical combinations of musique concrète, samples, synthetic parts with fairy-tale melodies (‘Muzak For Mesozoic Showreel’and sound-art (‘Dark-Archeo’), produce a varied, fascinating and original music narrative”. — The Quietus, Jakub Knera 

Muscut will release Nostalgia Por Mesozo​́​Ica (featuring a Riso printed cover sleeve) on October 4, 2024

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Compilation of Columbian Tropical musician Edmundo Arias’ work from the 50s and 60s.

Edmundo Arias was one of the key figures in the tropical music of the Caribbean and Pacific coasts throughout the 50s and 60s. Together with Lucho Bermúdez and Pacho Galán, Arias is seen as one of the ‘big three’ composers of Colombian tropical music.

He was a rather introverted person who avoided being in the spotlight at all cost, leading to his work being less known than his contemporaries. With this album we hope to highlight the amazing legacy Edmundo Arias has left us. Think of big bands with sharp dressed musicians playing the finest cumbias, porros and other tropical sounds in fancy ballrooms on a hot evening in Medellin or Bogota.

Tracklist

A1. Juanita Bonita
A2. Cumbia Candelosa
A3. El Mecanico
A4. Tus Ojos
A5. Que Te Pasa
A6. Brisa, Mar Y Arena
B1. Venenosa
B2. Uey’ Je’ Je’ Pa’
B3. El Canje
B4. Dime Pa’ Quien
B5. El Guarachero
B6. Solo Estoy
C1. La Luna Y El Pescador
C2. Noche De Fiesta
C3. Acuarela Cumbiambera
C4. Las Diez Velas
C5. El Chontaduro
C6. Orlandito
D1. Fiesta Tropical
D2. Cumbia Del Caribe
D3. Guepa…Je
D4. Buenas Noches Diciembre
D5. Alma Quibdoseña
D6. Asi Se Baila Cumbia

releases September 13, 2024

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Pino d’Angiò, Italo disco artist and ‘Age Of Love’ composer, dies aged 71

Italian newspaper Il Messaggero broke the news last Saturday, July 6th, describing him as “an icon of Italo disco music.” The cause of death was lung cancer.

Born Giuseppe Chierchia in Pompei in 1952, d’Angiò’s debut release was 1979 single “È Libero, Scusi?” Other highlights from his discography include “Un Concerto Da Strapazzo,” “Fammi Un Panino,” “Genoveffa” and “Ma Quale Idea,” a hit single that sold over two million copies. The track samples 1979 disco classic “Ain’t No Stoppin’ Us Now” by McFadden & Whitehead.

Aside from Italo disco, d’Angiò also composed the harmony and lyrics for Age of Love’s self-titled trance classic. His contribution was “born in a totally random way,” he told Guerilla Bizarre, occurring spontaneously when he was visiting a friend in Belgium. “And then, the worst mistake of my life, I told him ‘do whatever you want with this, but please, don’t dare putting my artist name on any of it.'”

Listen to Age Of Love’s The Age Of Love.

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Jeff Mills is releasing a new album

Out on July 5th via Axis Records, The Eyewitness explores themes of shock and trauma. It follows March’s The Trip: Enter The Black Hole, a black hole-themed album that was accompanied by an immersive audiovisual show.

Listen to “Those Who Worked Against Us (Vendetta Mix).”

Tracklist

A1. Jeff Mills – In A Traumatized World
A2. Jeff Mills – Menticide
B1. Jeff Mills – Those Who Worked Against Us
B2. Jeff Mills – Mass Hypnosis
C1. Jeff Mills – Hold And Command
C2. Jeff Mills – Wonderous Butterfly
D1. Jeff Mills – Sacred Iridescent Mirror (The Pledge)
D2. Jeff Mills – In A Traumatized World (Human Toll Mix)
D3. Jeff Mills – Indoctrination

The full-length is out on July 5th through Axis Records.

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Experience Miaux’s new album

Antwerp-based composer and synth virtuoso Miaux presents her new album, Never Coming Back on VIERNULVIER Records. The record is rooted in the recent film score she composed for the surreal and haunted cult movie ‘Carnival of Souls’ (1962).

“An impeccably tuned ear” – The Wire

“Armed with a synth and devastating song writing skills, her music is minimal, melancholic and timeless, somewhere between Roedelius, Ruth White and electronic realisations of Baroque music” – Roope Eronen

“The general gloom MIAUX spreads on her sandwiches is darker than Tatort and could replace any soundtrack of a Fassbinder movie” – Dennis Tyfus

Stream below

Tracklist

A1. Too much current, too much sand
A2. Put your soul into it a little, ok?
A3. Thank you but I’m never coming back
B1. The old pavilion near the lake
B2. What’s the matter with everyone, why don’t they answer me?
B3. I have no desire for the close company of other people

Released June 21, 2024

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